Catholicism and the Arts
Catholicism and the Arts: Performance of Flannery O'Connor's Everything That Rises Must Converge
Thursday, 19 March 2015
Kathleen Mullady Theatre
Centennial Forum Student Union
Lake Shore Campus, LUC
This event is open to the public. Tickets are $2 for Loyola students with IDs and $7 for the general public. Tickest can be purchased at: luc.tix.com.
New York City based Compagnia De' Colombari is pleased to announce the four city national tour of Flannery O'Connor's Everything That Rises Must Converge, created for the stage and directed by Karin Coonrod.
Everything That Rises Must Converge is a tragic-comic interracial seat shifting dance by whites and blacks on a moving bus in America's deep south. Playing and speaking out the story verbatim, eight Colombari actors with razor sharp precision create all the characters and all the narration. Georgia's red earth is slammed up against the eternal. O'Connor's voice spread out across the company of actors carries the power of the apocalyptic comedy right into the audience.
Excerpt from Time Out New York's review of the play:
The ensemble is terrific, smoothly slipping in and out of character. It's also gratifying to see so many body types-stout, skinny, short and tall—onstage together, like a tiny village bustling about...dark unsettling magic of O'Connor's art—coming through full force in this exceptionally sensitive translation.
Friday, 10 October 2014 &
Saturday, 11 October 2014
7:30p.m.—The Newhart Family Theater
2nd Floor, Mundelein Center
Lake Shore Campus, Loyola University Chicago
Tickets for these performances are $5 each, and may be purchased from luc.tix.com. All are welcome to attend these performances!
*mark, performed by George Drance, directed by Luann Jennings, with original music composed by internationally acclaimed, award winning composer Elizabeth Swados, who just completed a successful run Off-Broadway at La MaMa ETC in New York City.
Written during Nero's brutal persecution of the followers of "the Way", the Gospel of Mark was recited in its entirety, giving courage to this community of quiet rebels whose radical compassion threatened the Empire's status quo. The production imagines the Gospel performed by a street artist, and asks what it would be like if our experience in 2014 were the same experience of those in Rome under the madness of Nero?
Actor George Drance, SJ, has performed and directed in over twenty countries on five continents. The work of his New York company, Magis Theatre, has been praised by the New York Times for its artistic skill and daring.
Director Luann Jennings founded the new Arts Ministry at Redeemer Presbyterian Church in New York City. She has taught theatre at St. John's University and currently works with students of Baylor University.
Elizabeth Swados has composed, written, and directed issue oriented theatre for over 30 years. Some of her works include the Broadway and international smash hit "Runaways," Obie Award winning "Fragments of a Greek Trilogy," "Alice at the Palace," with Meryl Streep, and "Missionaries," about the four Maryknoll women killed in El Salvador. Her many awards include: five Tony nominations, three Obie Awards, and a Guggenheim Fellowship.
In his apostolic exhortation entitled "The Joy of the Gospel" His Holiness Pope Francis writes: "Whenever we make the effort to return to the source and to recover the original freshness of the Gospel, new avenues arise, new paths of creativity open up, with different forms of expression, more eloquent signs and words with new meaning for today's world."
For more information, please contact CCIH at 773.508.3820 or email@example.com.
Mr. Richard Austin
Lecture: Poetry as Prayer
Wednesday, 12 March 2014
Palm Court, Mundelein Center
Lake Shore Campus, LUC
Performance: Back to Beauty's Giver - Gerard Manley Hopkins
Thursday, 13 March 2014
Palm Court, Mundelein Center
Lake Shore Campus, LUC
These events are open to the public. All are welcome to attend!
The Hank Center for the Catholic Intellectual Heritage is fortunate to be able to bring to campus the noted English actor and performer Richard Austin. Austin’s specialty is the performance of poetry, especially the poetry of Gerard Manley Hopkins. Widely acclaimed as “the finest performer of Hopkins’ poetry today,” Austin will contribute to the Hank Center’s annual forum on Catholicism and the Arts by giving a public lecture on “Poetry as Prayer” and then staging his one-man show “Back to Beauty’s Giver."
Trained at the East 15 Acting School in London, Richard Austin was soon on the stage—England, Wales, Scotland, with world tours to Asia and the Middle East—and on television (e.g. Young Arthur in BBC TV’s The Legend of King Arthur). But he had always had a deep and intensely personal passion for the poems of Gerard Manley Hopkins, and in the last two decades his chief creative endeavor has been to transmit that passion to others through his performances. He has committed all of Hopkins’s poems to memory and then crafted from them the one-man show “Back to Beauty’s Giver,” which tells the story of Hopkins’s life and spiritual progress through his poetry.
Austin has performed Hopkins’s poetry in Italy, Ireland, England, Wales, and Canada, and here in the US in Philadelphia, Dallas, Spokane, Denver and other venues. His performances of Hopkins have been extraordinarily well received. Noted Hopkins scholar Joseph Feeney, S. J., for example, writes that Hopkins’s poems “cry out for vocal ‘performance’” and that, having heard many performances, “Richard Austin tops them all.” Feeney goes on to add that Austin “has spent years with these poems, tasting them, listening to them, sharing his life with them. He knows their rhythms, their sounds, their meanings.” Bernadette Waterman Ward, reviewing an Austin performance in Dallas for University News, says of him: “More than simply providing a torrent of verbal music, Austin brought the meaning of these complex works into greater intellectual and emotional clarity.” Adds Prof. Loren Wilkinson (Regent College, Vancouver, Canada), “Richard does not simply recite the poetry: he performs it powerfully, with a trained actor’s physical and vocal skills.”
Ms. Delia Surratt
Delia Surratt, professor of Vocal Technique at Loyola University Chicago’s John Felice Rome Center and an acclaimed international vocal artist, will be offering a free lecture and concert series. She is the first guest of a new program Catholicism and the Art Series, which is designed to promote cultural productions, both classical and contemporary, that illuminate the rich heritage of art in Catholic culture.
On March 13th Ms. Surratt will give a free lecture entitled “Unleashed Emotion: Opera’s Transformation of Sacred Music.”
She also has also prepared a special musical program for the free concert she will be offering on March 14.This program contains musical works that date from the sixteenth to the twentieth centuries: Giulio Caccini (1550–1610), Giuseppe Domenico Scarlatti (1660–1725), Giuseppe Verdi (1813–1901), Giacomo Puccini (1858–1924) and others.
The California-born Surratt began her musical studies in Los Angeles where she obtained a B.A. in music from Immaculate Heart College and soon after studied at the Music Academy of the West in California and at the Tanglewood Music Festival in Massachusetts.
Surratt then moved to Italy where she received scholarships to do post-graduate studies at the Santa Cecilia Conservatory in Rome and the Accademia Chigiana in Siena. While there, she studied vocal technique with the renowned Maestro Sona Ardontz and performed at major theatres and concert halls around Europe and Africa.
Performing symphonic and chamber music, as well as an operatic repertoire, Surratt has sung in a plethora of Italian opera houses including La Scala in Milan, Il Regio in Turin, Il Massimo in Palermo, La Fenice in Venice, Il Regio in Parma, and Il Petruzelli in Bari. She has spent three years, in collaboration with the Vatican, as Maestro of Vocal Technique for the boys’ choir of the Sistine Chapel.
Surratt currently sings for national radio and television companies such as NBC and RTSI in America, RAI in Italy, ORTF in France, and ZDF and SR in Germany, along with recordings for Deutsche Grammophon.
In addition, Surratt is a professor of Vocal Technique for the State Conservatory of Music S. Cecilia in Rome and has been a professor of voice for over 30 years in various state conservatories of music in Italy. She is also a vocal professor for the City School of Music in Viterbo, and for several years worked as an external faculty member of the Catholic University of America in Washington D.C.