Keats-Shelley Journal

Contents of Back Issues (1980-1989)

Before 1980

Volume 38 (1989)

News and Notes [7-46]

• A Possible Source for Keats's Unheard Melodies in "Ode on a Grecian Urn" [21-22]
  L. O. Purdon
  
• Beyond All Contradiction: Aurora Raby and Containment in Byron's Don Juan [23-25]
  Stephen Cooper
  
• The Romantics and the Chartist Press [25-46]
  Bouthaina Shaaban
  

• Keats's Identification with Wordsworth: Selective Affinities [47-65]
  Leon Waldoff
  
• Keats and the Spiritual Economics of Gift Exchange [66-81]
  Ronald A. Sharp
  
• "A Magnificent Find, if Genuine": A Possible Portrait of Shelley--From
  the Workshop of Harry Buxton Forman? [82-102]
  Terry L. Meyers
  
• "Mont Blanc" and Prometheus Unbound: Shelley's Use of the Rhetoric
  of Silence [103-26]
  John B. Pierce
  
• Questions without Answers: The Conversational Style of "Julian and Maddalo" [127-44]
  William D. Brewer
  
• The Light and the Knife: Ab/Using Language in The Cenci [145-61]
  Anne McWhir
  

Book Reviews
Current Bibliography

Volume 37 (1988)

News and Notes [7-42]

• The Etymology of Porphyro's Name in Keats's "Eve of St. Agnes" [20-25]
  Marcia Gilbreath
  
• Keats's "viewless wings of Poesy" and The Melancholy Student [26-27]
  Edward J. Reilly
  
• Horace Smith's Obituary Panegyric on Shelley [27-34]
  Stuart Curran
  
• A Greek Poet's Tribute to Keats [35-42]
  David Ricks
  

• Intrinsic Criticism and the "Ode to a Nightingale" [43-57]
  James O'Rourke
  
• The Authorization of John Keats [58-74]
  James Kissane
  
• Epipsychidion's Cosmic Collision: A Controlling Metaphor [75-90]
  Fredrick L. Hildebrand
  
• Alastor: The Poet and the Narrator Reconsidered [91-109]
  Christopher Heppner
  
• Leigh Hunt and Romantic Spenserianism [110-35]
  Greg Kucich
  
• Shelley's Fragment of a "Satire upon Satire": A Complete Transcription of the Text with Commmentary [136-63]
  Steven E. Jones
  

Book Reviews
Current Bibliography

Volume 36 (1987)

News and Notes [7-31]

• The Manuscript of Keats's Letters: An Update [16-19]
  Jack Stillinger
  
• A Source for Keats's Misquotation of Lear [20]
  Eric Rasmussen and Arthur Evenchik
  
• On the Third Stanza of Keats's "Ode on a Grecian Urn" [20-25]
  David A. Kent
  
• An Early Response to Shelley's The Necessity of Atheism [26-31]
  Stuart Peterfreund
  

• Keats: The Poet-Healer and the Problem of Pain [32-38]
  Michael E. Holstein
  
• Keats's Melancholy in the Temple of Delight [50-62]
  Robert Cummings
  
• Touring the Inventions: Shelley's Prefatory Writing [63-87]
  Elise M. Gold
  
• Shelley's "Verses on the Celandine": An Elegiac Parody of Wordsworth's Early Lyrics [88-109]
  Mary Quinn
  
• Shelley's Wayward Dream-Poem: The Apprehending Reader in Prometheus Unbound [110-33]
  Marlon B. Ross
  
• The Evolution of the Surface Self: Byron's Poetic Career [134-57]
  Jean Hall
  
• William Blackwood: The Human Face Behind the Mask of "Ebony" [158-89]
  Emily Lorraine de Montluzin
  

Book Reviews
Current Bibliography

Volume 35 (1986)

News and Notes [7-41]

• Leigh Hunt's Presentation Copy of Shelley's Alastor Volume [17-20]
  Mary A. Quinn
  
• New Light on Shelley's "Lines to ------" [20-23]
  William J. Burling
  
• The Dantean Politics of The Prisoner of Chillon [23-29]
  William A. Ulmer
  
• Further Corrections to Amy Lowell's Transcriptions of Keats's Marginalia [30-38]
  Beth Lau
  
• Maritime Antecedents of John Keats: Supplementary Note [38-41]
  Dwight E. Robinson
  

• Talented Equivocation: Byron's "Fare Thee Well" [42-61]
  W. Paul Elledge
  
• The Truth about "Beauty" and "Truth": Keats's "Ode on a Grecian Urn," Milton, Shakespeare, and the Uses of Paradox [62-82]
  Stuart Peterfreund
  
• Speech, Silence, and the Self-Doubting Interpreter in Keats's Poetry [83-103]
  Anthony John Harding
  
• Shelley to Byron in 1814: A New Letter [104-10]
  Charles E. Robinson
  
• The Drama of Reenactment in Shelley's The Revolt of Islam [111-25]
  Deborah A. Gutschera
  
• Psychological Realism and Narrative Manner in Shelley's "Alastor" and "The Witch of Atlas" [126-48]
  William Crisman
  
• Leigh Hunt, Lord Byron, and Mary Shelley: The Long Goodbye [149-67]
  Eleanor M. Gates
  
• Hazlitt's Select British Poets: An American Publication [168-82]
  Payson G. Gates
  

Book Reviews
Current Bibliography

Volume 34 (1985)

News and Notes [7-21]

• The Dating and Composition of Shelley's The Assassins [14-17]
  E. B. Murray
  
• Wordsworth and the Austral Retreat in Shelley's "Witch of Atlas" [18-20]
  Roland A. Duerksen
  
• Shelley's Kenswick Years: Some New Information [20-21]
  Barry John Capella
  

• Notes on the Antecedents of John Keats: The Maritime Hypothesis [22-52]
  Dwight E. Robinson
  
• Composition and "Unrest": The Dynamics of Form in Keats's Last Lyrics [53-82]
  Susan Wolfson
  
• The Trouble about Merlin: The Theme of Enchantment in "The Eve of St. Agnes" [83-94]
  Karen J. Harvey
  
• Byron and the Poetics of Revolution [95-130]
  Daniel P. Watkins
  
• Basil and Anna Montagu: Touchstone for the Romantics [131-71]
  Ralph M. Wardle
  

Book Reviews
Current Bibliography

Volume 33 (1984)

News and Notes [7-51]

• An Uncollected Poem (Probably) by Lord Byron [18-24]
  John O. Hayden
  
• Byron's "The Deformed Transformed" Transformed: A Short Fiction Adaptation
  in 1825 [24-30]
  E. W. Pitcher
  
• Leigh Hunt and the Examiner Review of Keats's Poems, 1817 [30-37]
  Joseph C. Grigely
  
• The "Ode to a Nightingale" and Paradiso, XXIII [37-40]
  Willard Spiegelman
  
• John Keats and Marian Jeffery [40-50]
  Angus Graham-Campbell
  
• Leigh Hunt and Shelley: A New Letter [50]
  Marcia Allentuck
  
• John Scott and Leigh Hunt [51]
  Patrick O'Leary
  

• Convention and Criticism in William Godwin's Early Novels [52-69]
  Gary Kelly
  
• The Sub-text of Keats's "Ode to a Nightingale" [70-84]
  Karl Wentersdorf
  
• A Museum with One Work Inside: Keats and the Finality of Art [85-102]
  Philip Fisher
  
• The Implications of Form in Childe Harold's Pilgrimage [103-29]
  Michael Vicario
  
• "The Four Ages of Poetry": Peacock and the Historical Method [130-47]
  James D. Mulvihill
  
• Transfigured Night: The Visionary Inversions of Alastor [148-60]
  Edward Strickland
  
• Poetic Quests and Questioning in Shelley's Alastor Collection [161-81]
  Neil Fraistat
  
• The "Double Soul": Virginia Woolf, Shelley, and Androgyny [182-204]
  Nathaniel Brown
  

Book Reviews
Current Bibliography

Volume 32 (1983)

News and Notes [7-30]

• A Possible Source for the Montmorenci Reference in Keats's "Sleep and Poetry" [17-19]
  Thomas A. Reisner
  
• Byron's Dislike of Keats's Poetry [20-25]
  George Cheatam
  
• Ellis, Sainte-Palaye, and Byron's "Addition" to the "Preface" of Childe Harold's Pilgrimage I-II [25-30]
  Ronald A. Schroeder
  

• The Keats-Shelley Association: A Personal History [31-45]
  Catharine Morris Wright
  
• Keats, Associationism, and "Ode to a Nightingale" [46-62]
  Beth Lau
  
• Shipwreck and Skepticism: Don Juan Canto II [63-80]
  Andrew M. Cooper
• Concentric Structures in Marino Faliero [81-107]
  Philip J. Skerry
  
• Shelley's Alastor: The Poet Who Refuses to Write Language [108-22]
  Frederick Kirchhoff
  
• Power and the Poet: Religious Mythmaking in Shelley's "Hymn to Intellectual
  Beauty" [123-49]
  Spencer Hall
  
• Shelley's Notes on Sculptures: The Provenance and Authority of the Text [150-71]
  E. B. Murray
  
• Imagination versus Introspection: The Cenci and Macbeth [172-89]
  D. Harrington-Lueker
  
• Naming-Dale in Asia's Vale [190-203]
  William H. Hildebrand
  

Book Reviews
Current Bibliography

Volume 31 (1982)

News and Notes [7-36]

• A Note on the Dating of Shelley's "The Triumph of Life" [13-15]
  Betty T. Bennett and Alice Green Fredman
  
• Notes on Shelley's Reading of Godwin's Enquirer [15-24]
  Michael W. Hyde
  
• Mary Shelley and Washington Irving Once More [24-28]
  Ralph M. Aderman
  
• "William Hazlitt's Spirit of the Age and Sir William Allan": A Correction [29-30]
  Patrick Story
  
• More Music for Shelley's Poetry [31-36]
  Burton R. Pollin
  

• The Keats-Shelley Association: A Personal History [37-63]
  Catharine Morris Wright
  
• The Monomyth in the Structure of Keats's Endymion [64-81]
  Charles I. Patterson, Jr.
  
• To Try That Long Preserved Virginity: Psyche's Bliss and the Teasing Limits of the Grecian Urn [82-104]
  William F. Zak
  
• Lamia as Theater Art [105-17]
  Carol Kyros Walker
  
• The Princess of Parallelograms, or the Case of Lady Byron [118-37]
  Myra Stark
  
• The Language of Causality in Prometheus Unbound [136-58]
  Frederick Burwick
  
• Shelley's Poetics: The Power as Metaphor [159-97]
  Jerrold E. Hogle
  

Book Reviews
Current Bibliography

Volume 30 (1981)

News and Notes [7-51]

• Zastrozzi and The Bravo of Venice: Another Shelley Borrowing [15-17]
  Curt R. Zimansky
  
• Shelley's Folio Plato [17-21]
  Ronald Tetreault
  
• Mary Shelley and Gideon Mantell [21-29]
  Dennis R. Dean
  
• William Hazlitt's Spirit of the Age and Sir William Allan: An Unpublished
  Commentary [29-33]
  Marcia Allentuck
  
• Keats and the Drunken Landlord at Burns's Cottage [33-37]
  Jim Springer Borck
  
• Lord Byron and Midshipman Chamier in Turkey [37-46]
  Stanton Garner
  
• Byron's Reading of Montaigne: A Leigh Hunt Letter [47-51]
  Richard I. Kirkland, Jr.
  

• The Keats-Shelley Association: A Personal History [52-77]
  Catharine Morris Wright
  
• Shelley's Fiction: The "Stream of Fate" [78-99]
  Jerrold E. Hogle
• Chatterton and Keats: A Reexamination [100-17]
  Nai-Tung Ting
  
• Plastic to Picturesque: Schlegel's Analogy and Keats's Hyperion Poems [118-51]
  Nancy M. Goslee
  
• The Reynolds-Dovaston Correspondence [152-81]
  John Clubbe
  
• John Hamilton Reynolds: Four New Letters [182-90]
  Anne Kaier
  

Book Reviews
Current Bibliography

Volume 29 (1980)

News and Notes [7-42]

• Pope, Chapman, and the Romantics [11-21]
  Michael R. Richards
  
• Frankenstein and Caleb Williams [21-27]
  A. D. Harvey
  
• Louise Duvillard of Geneva, the Shelleys' Nursemaid [27-30]
  Emily W. Sunstein
  
• Timothy Shelley, "Merchant of Newark": The Search for Shelley's American
  Ancestor [31-42]
  Sally N. Hand
  

• Shelley and Italian Painting [43-66]
  Frederic S. Colwell
  
• Shelley's Ironic Vision: The Witch of Atlas [67-82]
  Andelys Wood
  
• Charles Cowden Clarke's Commonplace Book and Its Relationship to
  Keats [83-95]
  Joan Coldwell
  
• Keats and the Solitary Pan [96-119]
  Warren U. Ober and W. K. Thomas
  
• The Secularization of the Fortunate Fall in Keats's "The Eve of
  St. Agnes" [120-29]
  David Wiener
  
• Byron's Don Juan: Myth as Psychodrama [131-50]
  Candace Tate
  
• Byron's Lapse into Orthodoxy: An Unorthodox Reading of Cain [151-72]
  Wolf Z. Hirst
  
• Peacock's Sir Oran Haut-ton: Byron's Bear or Shelley's Ape? [173-90]
  Nicholas A. Joukovsky
  
• A Neglected Cockney School Parody of Hazlitt and Hunt [191-202]
  Patrick Story
  

Book Reviews
Current Bibliography

Contents: 1970-1979

Contents: 1980-1989

Contents: 1990-1996

Contents: Current and Forthcoming Issues

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