Keats-Shelley Journal

Contents of Back Issues (1970-79)

Before 1970

Volume 28 (1979)

News and Notes [7-34]

• Sidney's Arcadia as a Possible Source for "The Eve of St. Agnes" [11-17]
  R. S. White
  
• Notes on the Composition of "A Vision of the Sea" [17-20]
  Elsie F. Mayer
  
• Did Shelley Know Wordsworth's Peter Bell? [20-24]
  Jack Benoit Gohn
  
• A Photograph of Thomas Moore [24-25]
  Hoover H. Jordan
  
• Hazlitt and a Case of Charitable Journalism [26-27]
  David McCracken
  
• Aurora Raby in Don Juan: A Byronic Heroine [28-34]
  Charles J. Clancy
  

• Isabella Jane Towers, John Towers, and Keats [35-58]
  Stuart M. Sperry
  
• Shelley on Sculpture: The Uffizi Notes [59-77]
  Frederic S. Colwell
  
• The Style of Millennial Announcement in Prometheus Unbound [78-101]
  V. A. DeLuca
  
• Byron's Use of Dante in The Prophecy of Dante [102-19]
  Beverly Taylor
  
• Infelix Culpa: Poetry and the Skeptic's Faith in Don Juan [120-38]
  David J. Leigh, S. J.
  

Book Reviews
Current Bibliography

Volume 27 (1978)

News and Notes [7-44]

• Keats's "How Many Bards" and Poetic Tradition [14-22]
  Robert F. Gleckner
  
• The Glaucus Episode: An Interpretation of Book III of Endymion [23-34]
  William Garrett
  
• Davy's A Discourse, Introductory to A Course of Lectures on Chemistry: A Possible Scientific Source of Frankenstein [35-44]
  Laura F. Crouch
  

• The Necessity of Response: How Shelley's Radical Poetry Works [45-69]
  Richard Hendrix
  
• Apocalyptic Scepticism: The Imagery of Shelley's "The Triumph of Life" [70-86]
  Lloyd Abbey
  
• Regency Newspaper Verse: An Anonymous Squib on Wordsworth [87-107]
  Stanley Jones
  
• B. R. Haydon and The Examiner [108-32]
  Colbert Kearney
  

Boook Reviews
Current Bibliography

Volume 26 (1977)

News and Notes [7-38]

• Annotated Manuscript Corrects of Shelley's Prose Essays [10-21]
  E. B. Murray
  
• Shelley and the Duty of Hope [22-28]
  Norman Thurston
  
• Shelley and Smith: Two Sonnets on Ozymandias [29-31]
  M. K. Bequette
  
• Keats's "Hymn to Pan": A Debt to Shaftesbury? [31-34]
  Robert M. Ryan
  
• Byron on Joanna Southcott and Undeserved Salvation [34-38]
  Frederick L. Beaty
  

• Ave Madeline: Ironic Annunciation in Keats's "The Eve of St. Agnes" [39-50]
  Gail McMurray Gibson
  
• The Performing Narrator in Keats's Poetry [51-71]
  William C. Stephenson
  
• Charles Jeremiah Wells: An Early Keatsian Poet [72-87]
  Priscilla Johnston
  
• Shelley's Witch of Atlas [88-100]
  Richard Cronin
  
• From Filthy Type to Truth: Miltonic Myth in Frankenstein [101-13]
  Leslie Tannenbaum
  

Book Reviews
Current Bibliography

Volume 25 (1976)

News and Notes [7-25]

• Dante's Paradiso and Keats's "Ode to a Nightingale" [13-15]
  Jeffrey Robinson
  
• King Lear and the Image of Ruth in Keats's "Nightingale" Ode [15-22]
  Barry Gradman
  
• Keats's "I'd rather go to hell . . ." [22-24]
  Willard B. Pope
  
• Byron and the Eunuch Muse: Don Juan XI.58 [24-25]
  Douglas Little
  

• Narrator and Narration in Don Juan [26-42]
  Leslie A. Marchand
  
• Phenomenology and Process: Perception in Keats's "I Stood Tip-toe" [43-54]
  Marjorie Norris
  
• The Confirmation of Keats's Belief in Negative Capability: The "Ode on Indolence" [55-64]
  William F. Zak
  
• Keats's Face of Moneta: Source and Meaning [65-80]
  Anne K. Mellor
  
• Shelley's The Revolt of Islam: "The Connexion of Its Parts" [81-102]
  Richard H. Haswell
  
• Shelley's "Plumed Insects Swift and Free" [103-21]
  Lloyd N. Jeffrey
  

Book Reviews
Current Bibliography

Volume 24 (1975)

News and Notes [7-28]

• Greek Sources of "Writ in Water": A Further Note [12-13]
  A. J. Woodman
  
• Keats and the Ancient Mariner: Book III of Endymion [13-15]
  Frank W. Pearce
  
• A Possible Pun in Keats's "Ode to a Nightingale" [15-17]
  Eugene J. Harding
  
• Gnashing and Wailing in Prometheus Unbound [17-20]
  E. B. Murray
  
• Mary Shelley and the Roger Dodsworth Hoax [20-28]
  Charles E. Robinson
  

• Shelley's Metaphysical System in Act IV of Prometheus Unbound [29-48]
  James B. Twitchell
  
• Reflexive Imagery in Shelley [49-69]
  William Keach
  
• Masks of the Poet: A Study of Self-Confrontation in Shelley's Poetry [70-88]
  James C. Evans
  
• Shaftesbury's Characteristics and the Conclusion of "Ode on a Grecian Urn" [89-101]
  Harry M. Solomon
  
• Soul-Making in "Ode on a Grecian Urn" [102-07]
  James Shokoff
  
• Nature and Narrative in Byron's "The Prisoner of Chillon" [108-18]
  Gerald C. Wood
  
• "Galvinism upon Mutton," Byron's Conjuring Trick in The Giaour [118-27]
  Peter B. Wilson
  

Book Reviews
Current Bibliography

Volume 23 (1974)

News and Notes [11-31]

• Godwin's Memoirs as a Source of Shelley's Phrase "Intellectual Beauty" [14-20]
  Burton R. Pollin
  
• William Godwin's Lengthy Preoccupation with Antonio [21-24]
  Parks C. Hunter, Jr.
  
• An Unremarked Drawing of Edward Trelawny [24-25]
  Marcia Allentuck
  
• Corrections to Amy Lowell's Reading of Keats's Marginalia [25-31]
  Norman A. Anderson
  

• Prometheus Unbound, Act I, "The play's the thing" [32-51]
  James R. Bennett
  
• Some Scientific Models for Shelley's Multitudinous Orb [52-59]
  Thomas A Reisner
  
• The Poet Borne Darkly: The Dream-Voyage Allegory in Shelley's Alastor [60-76]
  John C. Bean
  
• "The Depth of Things": Keats and Human Space [77-95]
  Arthur H. Bell
  
• "Ode on a Grecian Urn" and The Excursion [95-105]
  Mario L. D'Avanzo
• Chaucer's Troilus and Criseyde and the Rhythm of Experience in Keats's "What can I do to drive away" [106-18]
  Ronald Primeau
  
• Edward Holmes and Keats [119-28]
  Leonidas M. Jones
  

Book Reviews

Volumes 21-22 (Double Issue, 1972-73)

News and Notes [11-42]

• Greek Sources of "Writ in Water" [17-18]
  Oonagh Lahr
  
• The Infinite Will: Shakespeare's Troilus and the "Ode to a Nightingale" [18-23]
  Bruce E. Haley
  
• The Nightingale Ode and Sophocles [23-27]
  Keith Hollingsworth
  
• Ritual Sacrifice and Time in "Ode on a Grecian Urn" [27-29]
  Leslie M. Thompson
  
• Southey's "Satanic School" Remarks: An Old Charge for a New Offender [29-33]
  Emily Lorraine de Montluzin
  
• Byron's Boat, the Morat Bones, and Mr. St. Aubyn: A New Autobiographical
  Letter [33-38]
  Richard B. Kline
  
• A Clarification Concerning John Polidori, Lord Byron's Physician [38-40]
  Robert R. Harson
  
• Byron's Lines on John William Rizzo Hoppner [40-42]
  Francis R. Walton
  

• Shelley's Philosophy of History: A Reconsideration [43-63]
  William Royce Campbell
  
• "Beasts of the Woods and Wilderness" in the Poetry of Shelley [64-82]
  Lloyd N. Jeffrey
  
• The Dating of Shelley's "On the Devil, and Devils" [83-95]
  Stuart Curran and Joseph Anthony Wittreich, Jr.
  
• The Theory of Poetic Value in I. A. Richard's Principles of Literary Criticism and Shelley's A Defence of Poetry [95-111]
  Jan Cohn
  
• Shelley's Urn of Bitter Prophecy [112-25] George D. Richards
  
• The Poet as Miltonic Adam in Alastor [126-44]
  Luther L. Scales, Jr.
  
• Pope, Pageantry, and Shelley's Triumph of Life [145-69]
  Patrick Story
  
• Keats's "Isabella": Shakespeare's Venus and Adonis and the Venus-Adonis
  Myth [160-69]
  Billy T. Boyar
  
• Keats's Critical Reception in Newspapers of His Day [170-87]
  Lewis M. Schwartz
  
• Edmund Kean and Byron's Plays [188-206]
  Peter J. Manning
  
• The Composition of Hunt's The Story of Rimini [207-18]
  Clarice Short
  
• Nathaniel Hawthorne and the Great English Romantic Poets [219-35]
  Richard Harter Fogle
  

Book Reviews

Volume 20 (1971)

News and Notes [7-21]

• Madeline's House Is Not Her Castle [11-14]
  Arthur H. Bell
  
• Keats's Own Annotated copy of Endymion [14-17]
  Robert H. Swennes
  
• Keats's Letter to Reynolds, 17 April 1818 [17-19]
  W. H. Bond
  
• An Unpublished Account of Encounters with William Godwin in 1804 [19-21]
  Marcia Allentuck
  
• Byron's William Parry: Post-Postscript [21]
  Donald H. Reiman
  

• Ambivalent Morality in the Elgin Marbles Sonnet [22-36]
  E. B. Murray
  
• Holy Living and Holy Dying in Keats's Poetry [37-61]
  Newell H. Ford
  
• Form and Substance in "Grecian Urn" [62-70]
  Bruce E. Miller
  
• "Ode to the West Wind" and the Sonnet Form [71-77]
  Helen E. Haworth
  
• Shelley, Medwin, and The Wandering Jew [78-86]
  S. G. Andrews
  
• A Look at the Third and Fourth Spirit Songs: Prometheus Unbound, I [87-99]
  William H. Hildebrand
  
• Shelleyan "Allegory" Epipsychidion [100-112]
  Frank D. McConnell
  
• Byron's "Tintern Abbey" [113-21]
  Robert R. Harson
  

Book Reviews
Current Bibliography (issued separately)

Volume 19 (1970)

News and Notes [1-9]

• Postscript to The Last Days of Lord Byron [4-7]
  William St. Clair
  
• The Stanzaic Pattern of Shelley's "Ode to the West Wind" [7-8]
  Ben L. Collins
  
• On the Date of a Shelley to Hogg [8-9]
  Lyle H. Kendall, Jr.
  

• John Hamilton Reynolds, James Rice, and Benjamin Bailey in the Leigh Browne-Lockyer Collection [11-40]
  Clayton Hudnall
  
• Textual Emendations for Three Poems by Shelley [41-48]
  Judith Chernaik
  
• Shelley's Concept of Conscience [49-62]
  William Royce Campbell
  
• Shelley's Alastor: The Quest for a Vision [63-76]
  Bryan Cooper
  
• Two New Contemporary Reviews of Shelley's Queen Mab [77-86]
  Lewis M. Schwartz
  
• A Blueprint for English Bards and Scotch Reviewers: The First Satire of
  Juvenal [87-100]
  Mary Clearman
  
• Byron's Mock Review of Rosa Matilda's Epic on the Prince Regent--A New
  Attribution [101-17]
  David V. Erdman
  

Book Reviews
Current Bibliography (issued separately)

Contents: 1970-1979

Contents: 1980-1989

Contents: 1990-1996

Contents: Current and Forthcoming Issues

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