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Notes
1. W. F. Daems, Boec van Medicinen in Dietsche (Leiden: Brill, 1967), p. 320.
2. L. M. I. Delaissi, A Century of Dutch Manuscript lllumination (Berkeley: Univ. of California Press, 1960), pp. 10-11; Lilian M. C. Randall,

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"Pea Pods and Molluscs from the Master of Catherine of Cleves Workshop," Apollo 100 (1974), 378.
3. Erwin Panofsky, Early Netherlandish Painting (Cambridge: Harvard Univ. Press, 1953), p. 141.
4. James H. Marrow, "Dutch Illumination and the Devotio Moderna," Medium Ævum 42 (1973), 251-58.
5. Elizabeth Haig, The Floral Symbolism of the Great Masters (New York: Dutton, 1913), p. 29.
6. Lottlisa Behling, Die Pfanze in der mittelalterlichen Tafrlmalerei (Cologne: Bohlan, 1967), pp. 56-57.
7. Gosta Frisk, A Middle English Translation of MacerFloridus (Uppsala, 1949; Nendeln: Krauus Reprint, 1973), p. 93.
8. John Plummer, The Hours of Catherine of Cleves (New York: George Braziller, 1966), comment on G f. 67, plate 27.
9. Alice M. Coats, Flowers and Their Histories (New York: McGraw-Hill Book Company, 1956), p. l55.