LITR 283 Spring 2013
Spring 2013
LITR 283
Office: Room 114
Office Hour: TBA and by appointment
Meeting Days and Time: Tuesday/Thursday 12:30pm – 1:45pm
Meeting Place: Room
Online Course: https://blackboard.luc.edu (for help and log-in information, see
http://www.luc.edu/blackboard/Student_FAQ.shtml)
course description
The purpose of this course is to study and gain an appreciation of the literary works of selected Italian authors in English language translation. Students will have the opportunity to explore literary expression in different types of texts, as well as textual analysis and rhetorical strategies. Emphasis will be placed on the social, cultural and political milieu in which these authors produced their literary texts as a way of understanding the relationship between literature and the cultural-historical nexus that produced them. A variety of materials and techniques will be employed throughout the semester, including lectures, critical readings, class discussions and debates.
learning outcomes
In this course, students will have the opportunity to:
- Study the creation of literary production as a means of exploring human experience and understanding creative processes.
- Acquire the critical and technical vocabulary to describe and analyze, and formulate an argument about, literary productions.
- Assess how formal qualities of literary productions determine the nature of the experience offered and affect the response of the audience.
- Examine interpretive possibilities of literary work, and understand that such interpretations both reflect the culture that produce them and change over time.
- Assess the relationships of works of literature to the cultural-historical nexus that produce and use them.
- View in its entirety, discuss, and analyze at least one feature-length Italian film of relevance to a specific artistic, societal, or cultural trend referenced in this course.
course requirements
In order to attain the learning outcomes outlined above and to ensure that the course proceeds efficiently, students are encouraged and expected to:
- Attend class. Not attending class will lower a student's grade for several reasons (e.g., lack of participation; missed clarifications, explanations, and analyses; missed vocabulary, etc.);
- Participate actively and constructively in class both with the instructor and other students;
- Take all quizzes and exams, and complete assignments on their scheduled dates and at their scheduled times (see dates under class schedule). Make-up quizzes and exams will be provided only in accordance with Rome Center policy regarding excused absences (see absence policy);
- Complete homework assignments on their due date;
- Comport themselves in a manner conducive to learning and with respect for other students.
general absence policy
In order for an absence to be excused, the student must present the instructor with a written note of excuse from the Dean of Faculty, the Associate Director of Students, or the Director of Residence Life. Please note that such personal reasons as travel plans, visiting relatives, friends, etc., cannot be accepted as valid grounds for excusing an absence unless authorized by the Dean of Faculty.
course-specific absence guidelines
For the purpose of grade calculation, each unexcused absence that a student accumulates after the second will reduce her or his final grade by 3% (e.g., if a student's pre-absence grade calculation is 93%, with 4 absences the grade reduces 6 percentage points to 87%, resulting in a drop in the final grade from A to B+).
It is the student's responsibility to inform herself or himself of homework assignments, class notes, etc. in the event of absence.
required materials
1. Elio Vittorini, Conversations in Sicily (New Directions [2000] ISBN-13: 978-0811214551 OR Canongate [2004] ISBN-13: 978-1841954509)
2. Dacia Maraini, Woman at War (ISBN-13: 978-0934977128)
Other readings will be accessible through Blackboard, photocopies, via email, or made available in digital format. These readings will include:
1. Selections from Petrarch's poetry (il Canzoniere)
2. Selections from Michelangelo Buonarroti's poetry
3. Poetry selections from Gaspara Stampa, Vittoria Colonna, and Veronica Franco
4. Excerpts from Ippolito Nievo's The Castle of Fratta
5. Selections from Giovanni Verga's Novelle
means of assessment
The final grade will be determined on the basis of the following criteria, and grades will be assigned according to the following scale:
% of final grade Grading Scale
Final Exam 20%
Essays (3) 30%
Quizzes (2) 10%
Midterm Exam 15%
Participation (5% at midterm) 10%
Short writing assignments (3) 15%
final exam
Date: | Time: | Place:
Those students who cannot attend the final exam session will receive a grade of 0 (zero) on the final exam (except those students with a valid excuse; see absence policy), and the final grade will be calculated accordingly.
academic integrity
The deliberate appropriation and representation of another person's work (ideas, language, findings, etc.) as one's own on any written assignment, quiz, exam, or paper—commonly referred to as "plagiarism"—will result in a student's automatic failure for that assignment or examination and notification of the Director that the student is suspected to have committed plagiarism. Any such behavior undermines the fundamental trust upon which academic integrity and a community of scholars is based. Each student must familiarize herself or himself with the rules referring to academic integrity as outlined in the Loyola University Chicago Undergraduate Studies Catalogue. Knowledge of the University's Academic Honesty guidelines will be taken for granted.
blackboard
This course requires that each student activate and maintain access to Blackboard. Through this medium such tasks can be accomplished as communicating homework assignments, submitting homework, and communicating important course-related information. In addition, specific files can be accessed through Blackboard (e.g., printing course syllabus).
students with disabilities
Students with documented disabilities who wish to discuss academic accommodations should contact me the first week of class.
CLASS SCHEDULE (the following schedule is subject to modification)
Please note that there is an obligatory Friday make-up class on March 22.
|
Date |
Discussion |
Readings |
Means of Assessment |
|
Jan 15/17
|
course introduction / Francesco Petrarca |
|
|
|
Jan 22/24
|
The legacy of Petrarch and Petrarchan poetry |
Select poems and writings of Petrarch |
|
|
Jan 29/31
|
Italian Renaissance poetry: Michelangelo Buonarroti |
Select poems and writings of Michelangelo Buonarroti |
Quiz 1 |
|
Feb 5/7
|
Michelangelo Buonarroti / Vittoria Colonna, Gaspara Stampa |
Michelangelo Buonarroti, select works of Vittoria Colonna, Gaspara Stampa |
|
|
Feb 12/14
|
Italian Romanticism / background on the development of the Italian novel |
Excerpts from Ippolito Nievo's The Castle of Fratta |
Essay 1 |
|
Feb 19/21
|
|
Excerpts from Ippolito Nievo's The Castle of Fratta |
|
|
Feb 26/28
|
Review for Midterm Exam |
|
Midterm Exam |
|
SPRING BREAK
|
|||
|
Mar 12/14
|
Italian Verismo and the Risorgimento |
Giovanni Verga's The House by the Medlar Tree |
|
|
Mar 19/21/22
|
Italian fascism |
Elio Vittorini's Conversations in Sicily |
Essay 2 |
|
Mar 26
|
|
Elio Vittorini's Conversations in Sicily |
|
|
Apr 2/4
|
Italian feminism |
Dacia Maraini's Woman at War |
Quiz 2 |
|
Apr 9/11
|
|
Dacia Maraini's Woman at War |
|
|
Apr 16/18
|
Review for Final Exam / Course conclusions |
|
Essay 3 |
