 |
| Style/Period |
Composition |
Comments |
Links |
| Baroque |
|
|
|
|
Bach,
Fugue in G minor |
Lamm,
p. 216
Fugue
|
|
|
Bach,
Violin Partita |
|
|
|
Bach,
Wachet Auf |
Lamm,
p. 217
Choral prelude |
|
|
Handel,
Messiah |
|
|
| Classical |
|
|
|
|
Haydn,
Quartet in C, Mov't. 3 |
Lamm,
p. 221
Theme and variations |
|
|
Mozart,
Symphony Nr. 35, "Haffner", K. 385, Mov't. 4 |
Lamm,
p. 223
Sonata form |
|
|
Mozart,
Piano Sonata in D Major, K. 311, Mov't. 1 |
Sonata
form
|
|
|
Mozart,
Piano Sonata in D Major, K. 311, Mov't. 2 |
|
|
|
Mozart,
The Marriage of Figaro, K. 492: Non so più cosa son, cosa faccio"
(Cherubino) |
|
|
|
Mozart,
The Marriage of Figaro, K. 492: "Non più andrai" (Figaro) |
|
|
|
Mozart,
The Marriage of Figaro, K. 492: "Sull'aria . . ." (Contessa, Susanna) |
|
|
|
Mozart,
The Marriage of Figaro, K. 492: "Gente, Gente" (Conte, Contessa,
Tutti) |
Resolution.
Forgiveness. |
|
| Romantic |
|
|
|
|
Beethoven,
Symphony Nr. 5, Mov't. 3 |
Lamm,
p. 224
Scherzo, modified! |
|
|
Beethoven,
Piano Sonata No. 23 in F Minor, Op. 57, "Appassionata," Mov't.
1 |
|
|
|
Beethoven,
Piano Sonata no. 32 in C Minor, Op. 111, Mov't 1 |
|
|
|
Schubert,
Gretchen am Spinnrade |
Lamm,
p. 282
Poetry and music. |
|
|
Schubert,
Impromptu in E-Flat Major, Op. 90, nr. 2 |
|
|
|
Schumann,
Carnaval, Op. 9: Préamble |
Fantasy |
|
|
Schumann,
Carnaval, Op. 9: Pierrot |
|
|
|
Schumann,
Carnaval, Op. 9: Arlequin |
|
|
|
Schumann,
Carnaval, Op. 9: Valse noble |
|
|
|
Schumann,
Carnaval, Op. 9: Eusebius |
|
|
|
Schumann,
Carnaval, Op. 9: Florestan |
|
|
|
Chopin,
Nocturne in E Major, Op. 62, nr. 2 |
Lamm,
p. 283
Nocturne |
|
|
Tchaikovsky,
The Nutcracker |
Lamm,
p. 287
Fantasy |
|
|
Beethoven,
Fidelio, Op. 72, "O welche Lust" |
|
|
|
Karl
Maria von Weber, Der Freischütz, Act II, Scene 1 (opening) |
|
|
|
Wagner,
Das Reingold: Prélude and Scene 1: Weia! Waga! (opening) |
|
|
|
Wagner,
Das Reingold: Loge's Narration (selection) |
|
|
|
Wagner,
Das Reingold: Interlude: Wotan and Loge descend to Nibelheim |
|
|
|
Brahms,
Variations on a Theme by Händel, Op. 24, Aria |
Lamm,
p. 287 |
|
|
Brahms,
Variations on a Theme by Händel, Op. 24, Variation 1 |
|
|
|
Brahms,
Variations on a Theme by Händel, Op. 24, Variation 2 |
|
|
|
Brahms,
Variations on a Theme by Händel, Op. 24, Variation 3 |
|
|
|
Brahms,
Variations on a Theme by Händel, Op. 24, Variation 4 |
|
|
| Realist |
|
|
|
|
Verdi,
Rigoletto, Act III, "La donna è mobile" |
Lamm,
p. 288 |
|
|
Puccini,
La Bohème, Act I, Love duet |
Lamm,
p. 288 |
|
|
Bizet,
Carmen, "L'amour est un oiseau rebelle" |
Lamm,
p. 289 |
|
| Impressionist |
|
|
|
|
Debussy,
Voiles |
Lamm,
pp. 289-90 |
|
|
Debussy,
Le vent dans la plaine |
|
|
|
Debussy,
Les sons et les parfums tournent dans l'air du soir |
|
|
|
Debussy,
Des pas sur la neige |
|
|
| Symbolist |
|
|
|
|
Wagner,
Tristan und Isolde, Act II, Love duet |
|
|
| Post-Impressionist |
|
|
|
|
Ravel,
Jeux d'eau |
|
|
|
Satie,
Trois Gymnopédies |
|
|
| Expressionist |
|
|
|
|
Strauss,
Salomé, Dance of Seven veils (conclusion), "Gib mir den Kopf
des Jokanaan!" |
|
|
| Cubist |
|
|
|
|
Stravinsky,
The Rite of Spring, Sacrificial Dance |
Lamm,
pp. 406-7 |
|
| Abstract
(Twelve-tone/serial) |
|
|
|
|
Schönberg,
Five Piano Pieces, Op. 23 |
Lamm,
pp. 406-7 |
|
|
Webern,
Erloesung |
|
|
|
Webern,
Schatzerl klein |
|
|
|
Schoenberg,
A Survivor from Warsaw, Op. 46 |
|
|
|
|
|
|
