Graduate Summer Institute on the Catholic Imagination
Institute Dates: June 16-18, 2022
Participants in the Institute will:
Take part in small-group Master Classes with Loyola faculty, visiting scholars, and luminaries in the field
Delve deeper into the idea of a “Catholic imagination” and its expression in arts, literatures, creative work, and criticism
Explore personal topics of interest while building public scholarship and intellectual/spiritual growth
Build communities of intellectual and professional collaboration and networking
Explore the cultural riches of Chicago (and enjoy summer days on Lake Michigan)
Develop and contribute a piece of work based on the themes of the seminar and areas of academic or creative focus
Vocation, Profession, and the Work: What it Means to be a Catholic Writer
In this opening session, the faculty will together discuss what it means to be a Catholic writer in three interrelated contexts: the vocation, the profession, and the work itself. Each will offer a sense of how these three components come together for them, and how they understand the necessary tensions between them in productive terms artistically and personally. In turn, they will have a fuller discussion, with each other and students, about the rights, responsibilities, risks and rewards of being a Catholic writer as always and already a decision of vocation, profession, and work.
The Living and the Dead: How to Read like a Catholic Writer
This session makes a case for what it means to read like a Catholic writer. Randy Boyagoda will take students through intensive readings of contemporary fiction and related literary criticism, in the context of the Catholic imagination, in search of representations of the human person that offer model possibilities of lives discerned and led with the highest possible stakes: life, death, and eternal life. All of that depends on reading the living and the dead, always, and together. Readings will be provided in advance of the seminar.
The “Ear” of the Story
As writers, we worry a lot about the point of view and the voice of a story, poem or essay. We pay less attention to the “ear” of the story, as novelist Rebecca Makkai calls it—the ideal and actual audiences, both within the story and in real life. This workshop will untangle the decision-making process for establishing the “ear” of a piece. How much to assume? What to explain, and how? What are the practical options between pedantry and alienating the audience? And why are these choices particularly important for Catholic writers? In this workshop, we will look at examples from other writers, walk through some of my own decisions, and look at decisions about the ear of the story in one of your own pieces.
To See and be Seen: Looking for the Divine in Literature
“To gaze upon the face of God is a perilous and a terrifying undertaking,” writes Jeff Reimer in a recent edition of Commonweal. Or so went ancient understanding; some say still today. What do we as writers understand? How do authors find God in their texts, and how do they invite readers to do the same? We’ll discuss a variety of answers will exploring the work of authors from a variety of religious backgrounds, including Catholic. We’ll pay special attention to the absences authors sometimes place in their work—spatial and spiritual—and ask when, why, and how they’re filled. Although this will be a craft-focused class, with our central analytical tool close reading, we’ll welcome and benefit from the individual expertises and experiences of all present. Short readings and generative writing exercises provided.
Art with All of its Teeth? Further Forays into the Catholic Imagination
Michael P. Murphy
In “The Catholic Novelist in the Protestant South,” Flannery O’Connor explores the conundrum of writing as a Catholic amid a culture that seems alien to her belief. What she reveals, ultimately, is that her culture has shaped her work as much as her faith has. This session explores similar terrain, posing the question, “What does it mean to be a Catholic artist in a secular culture?” Can contemporary Catholic artists succeed in creating for readers who share her/his belief as well as for those who do not? Are these the right questions? If a “Catholic imagination” is a critical, contemplative, and creative response to our lives in God (as much as it is a theoretical/creative lens or study in cultural production) how might such a loaded theological and conceptual matrix inform our work, whether creative or critical? The session will include literary, poetic, and cinematic texts to consider in advance.
Institute Faculty—Inaugural Year
Liam Callanan— Poetry, Fiction, Creative Nonfiction, Art in Public and Digital Spaces
Brigid Pasulka—Creative Fiction and Nonfiction, Pedagogies of Writing
Michael P. Murphy—Theology, Literary Criticism, Cultural Criticism, Film
|Randy Boyagoda is the author of three novels. His latest, Original Prin, was named a Globe and Mail Best Book of 2018 and is the first of a planned trilogy. He is Principal and Vice-President of St. Michael’s College at the University of Toronto, where he is also Professor of English and holds the Basilian Chair in Christianity, Arts, and Letters. He contributes essays, reviews, and opinions to publications including The New York Times, Guardian, Commonweal, and America. A former President of PEN Canada, he is Chair of 2019 Scotiabank Giller Prize jury and lives in Toronto with his wife and their four daughters.|
|Liam Callanan, a novelist, teacher and journalist, was the 2017 winner (in fiction) of The George W. Hunt, S.J., Prize for Excellence in Journalism, Arts & Letters. Liam is the author of four books, including the story collection Listen, the novel All Saints, the novel The Cloud Atlas, an Edgar Award finalist and Paris by the Book, a national bestseller which was translated into multiple languages and was the 2019 winner of the Edna Ferber Prize. Liam’s work has also appeared in Commonweal, America, The Wall Street Journal, Slate, The New York Times, The Washington Post, The San Francisco Chronicle, and elsewhere, and he has recorded numerous essays for public radio. Executive producer and creator of the Poetry Foundation-sponsored animated poetry series, Poetry Everywhere, Liam has also taught for the Warren Wilson MFA Program for Writers and chaired the English department at the University of Wisconsin–Milwaukee.|
|Brigid Pasulka’s first novel, A Long, Long Time Ago and Essentially True (Houghton Mifflin Harcourt, 2009), alternates between Nazi-occupied and post-Communist Poland. It won the 2010 PEN/Hemingway Award, the Polish American Historical Society Creative Arts Award, and a Barnes & Noble Discover Award, and it has been translated into six languages, including Polish. Her second novel, The Sun and Other Stars (Simon & Schuster, 2014), is set on the Italian Riviera and involves butchering, soccer and Dante. It was a Chicago Tribune Editor’s Choice and an Indie Next Pick. Pasulka’s linked short stories set in post-Communist Russia have won awards and been published in various literary journals, and her upcoming novel is set in 1980s East Berlin. Pasulka lives with her husband and son in Chicago, where she runs the writing center at the Whitney Young Magnet High School on the Near West Side of Chicago.|
|Michael P. Murphy directs The Catholic Studies and Hank Center for the Catholic Intellectual Heritage at Loyola University Chicago. His research interests are in Theology and Literature, Critical Theory, and Christian Spirituality, but he also writes and engages public media on issues in eco-theology, ethics, and the literary/political cultures of Catholicism. Mike is a National Endowment for the Humanities fellow and his first book, A Theology of Criticism (Oxford), was named a "Distinguished Publication" in 2008 by the American Academy of Religion. He has published occasional pieces on topics ranging from spiritualities of citizenship to dating in digital culture. His most recent scholarly pieces are the theological introduction to Robert Hugh Benson’s 1907 dystopian classic Lord of the World (Ave Maria, 2016), “Breaking Bodies: O’Connor and the Aesthetics of Consecration” in Revelation & Convergence: Flannery O’Connor and Her Catholic Heritage (CUA Press, 2017), and an edited volume, this need to dance/this need to kneel: Denise Levertov and the Poetics of Faith, (Wipf and Stock, coming in fall, 2019). He is currently at work on a monograph entitled The Dirty Realists: Catholic Fiction, Poetry, and Film 1965-2015.|